The first is to create some custom templates, and the second is to make some changes to DP's configuration - such as window appearance and behaviour preferences - that become available to all projects, old and new. There are two main ways to personalise your DP experience. These will definitely save you time in the long run, but they might also help unleash your creativity. You can even build up a collection of favourite starting points, perfectly suited to different music and audio production tasks. Using a variety of approaches, you can get your new DP projects much more 'road‑ready' and attuned to your needs from the start. Luckily, it doesn't have to be like this. Composers and arrangers working with virtual instruments will have a lot of work to do setting up their sounds, and even if you're recording some simple audio you're probably going to want to create a Master Fader track, and maybe some auxes too. The decidedly basic combo of the Tracks Overview and the Control Panel hardly puts the jewels of DP's editing facilities on show, and probably won't be sized to make best use of your available screen area. The default new project/sequence is as old as the hills and, sadly, isn't all that useful. You choose a name and a save location, DP presents you with its default new sequence, and then you have to spend five minutes setting up to get anywhere close to the track layout and working environment you need to actually do anything. You boot up DP and it offers you an 'Open' dialogue box, but you opt for a 'New' project instead. Here's a template I set up for writing, colour‑coded and featuring a Consolidated Window layout, my favourite hardware and virtual instruments at the ready, associated MIDI tracks, named and placed in track folders, a master fader, and empty audio tracks ready for whatever I need to record. Save time and make DP work just how you like it, with easy custom templates and preferences tweaks.
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